Why I Design Chicken Gambling Games Like a Polish-American Cyborg (And Why You Should Too)

I didn’t set out to make gambling games. I set out to make ritualistic theater.

Growing up in a Catholic household in Chicago’s Midwest, I was taught discipline—but also learned that meaning doesn’t always come from doctrine. It comes from rhythm. From the pulse of a drum in a samba parade, from the cluck of a rooster in an Amazonian arena, from the flicker of neon lights under midnight casino screens.

My team and I don’t simulate luck. We simulate human behavior. We use behavioral economics—not dice rolls—to design RPT (Return-to-Player) systems that feel like winning because you were meant to win… even when you weren’t.

Our latest title? “Samba Rooster Arena”—a game where every bet is a step in a dance, not just a wager. Players who stick with low volatility find comfort; those chasing high volatility? They’re not chasing money—they’re chasing the moment when the crowd roars and the screen turns violet.

We embed special events: “Carnival Jackpot”, triggered only after three consecutive wins—and yes, it’s randomized. RNGs don’t lie; they reflect reality better than any algorithm can.

I’m not here to sell you hope. I’m here because my grandmother prayed for miracles… but I built algorithms that give you back your time instead.

Play smart. Bet small. Walk away when it stops feeling like fortune.

Join our Discord—we’re not just devs. We’re dancers with code.